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Mixing Fundamentals
Mixing: Theory
Why Theory
Goals of Mixing
6 Groups
Frequency Groups (6:19)
Roles of Elements
Relativity
Human Factor
Mixing: Procedure
Before Starting the Mix (2:49)
Doing the Mixing
Reference Tracks
Timing
Mixing in Mono (4:02)
Acoustics
When Are You Finished
Mixing: Levels
Mixing Stage
Three Tools
Volume (3:10)
Perceived Volume
Volume Leveling
Panning
Mono / Stereo (5:54)
Reverb
Leveling With the Three Tools (7:28)
Exercise
EQ
Goal of EQ
Procedure
EQ Settings
Cutting Frequencies
Boosting Frequencies
Relative EQ (8:23)
Mid/Side EQ
EQ Plugins
Analyzer
Bass
Before Mixing
Mixing Bass (3:32)
Drums
Drum Samples (5:16)
Drum Selection
Kick
Snare (3:48)
Mixing Drums
Compression
Goal of Compression
When To Use Compression
Compressor Settings (15:05)
Compressor Plugins
Sidechain Compression (4:32)
Parallel Compression (4:55)
Limiter
Distortion
Goals of Distortion
Distortion Theory (1:26)
Saturation
Clipping
Distortion Settings
Distortion Applications (9:04)
Distortion & Saturation Plugins
Reverb
Goal of Reverb
Definition of Reverb
Reverb Settings (9:10)
Reverb Types
Reverb Tips
Unconventional Reverb Settings
Reverb Plugins
Delay
Goals of Delay
Delay Settings (8:51)
Delay Tips
Delay Plugins
Send Effects
What are Send Effects
Send Effect Techniques (5:59)
Advantages of Send Effects
Send Effect Tips
Other Effects
Chorus
Phaser
Flanger (5:21)
Order of Effects
Sound FX
Vocal Mixing
Mixer Routing
Volume
De-Esser
EQ
Compression
Reverb & Delay
Parallel Processing
Vocal Mixing Procedure (25:05)
Mastering
Finalizing the Mix
Mastering Engineer
Where To Go From Here
Your Feedback
New Directions
Dread Pitt Mentorship
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Distortion Theory
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